The 1974 subterranean thriller "The Taking of Pelham One Two Three" isn't what anyone would call an untouchable classic. If it's remembered for anything, it's for the hangdog Walter Matthau's garish shirt/tie combinations and the squalor of New York's subways.
The first full weekend in December is always pretty slow at the box office, which is surprising given that it falls right in the heart of the big holiday movie season. What gives?
In the week that Blu-ray consigned HD DVD to the remainder bins of history (and standard DVD will surely follow in the foreseeable future), Michel Gondry, one of the movies' most idiosyncratic innovators, unveils a quirky, nostalgic tribute to the antique charms of VHS with "Be Kind Rewind."
The college marching band, that benignly regimented music machine, has enjoyed a bit of a legacy in pop music, probably dating back to the title track of Fleetwood Mac's "Tusk." But it isn't often you get to hear a marching band as supercharged and low-down, as rudely alive, as the one in "Dave Chappelle's Block Party."
The 1974 subterranean thriller "The Taking of Pelham One Two Three" isn't what anyone would call an untouchable classic. If it's remembered for anything, it's for the hangdog Walter Matthau's garish shirt/tie combinations and the squalor of New York's subways.
The first full weekend in December is always pretty slow at the box office, which is surprising given that it falls right in the heart of the big holiday movie season. What gives?
In the week that Blu-ray consigned HD DVD to the remainder bins of history (and standard DVD will surely follow in the foreseeable future), Michel Gondry, one of the movies' most idiosyncratic innovators, unveils a quirky, nostalgic tribute to the antique charms of VHS with "Be Kind Rewind."
The college marching band, that benignly regimented music machine, has enjoyed a bit of a legacy in pop music, probably dating back to the title track of Fleetwood Mac's "Tusk." But it isn't often you get to hear a marching band as supercharged and low-down, as rudely alive, as the one in "Dave Chappelle's Block Party."
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